Lisa Alembik

art ∆ curate ∆ educate

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  • n e w s
    • StoryCrops Interview
  • a r t w o r k
    • Works on paper>2020
      • Murder Ballads: Carnivorous
      • The Guernsey Literary and Potato Peel Pie Society
      • My Corner of the Imagination (chair drawings)
    • works on paper<2020
      • Murder Ballads, late 2017
      • Murder Ballads
      • Petal Prints
      • b e l l y o f t h e w h a l e
      • Murder Ballad Washes
      • Early Murder Ballads
      • Solace Reflection
    • p a i n t i n g
      • Late Solace
      • swan house interiors
      • Early Solace paintings
    • s c u l p t / i n s t a l l
      • Fulcrum Chair, Fall 2018, The Hambidge Center
      • Garden of UnEarthly Delights
      • Solace Cups
        • Solace Cup I
        • Solace Cup II
      • Threadborne
      • S l o u g h
        • Slough
          • Slough panels
          • Slough pod
      • Penumbra installations
        • Ancestral Penumbra
        • Bronze Pods with Wall Drawings
  • c u r a t i o n s
    • 2013-present
      • Douglas Pierre Baulos’ “Night’s Hand on your Shoulder”
      • Ebb & Flow, Bloom & Fade curator’s notes
      • My sweet, sweet…
      • Quadrennial: Greater Decatur (QGD) 2010
    • exhibitions before 2013
  • w r i t i n g s
    • artist statements
    • curatorial essays
      • “This beautiful tangle” curator’s statement
    • art pricks and musings
  • t e a c h i n g
  • a b o u t

Murder Ballad: Gardens

  • Murder Ballad: Swamp Food
  • Murder Ballad: Succumbing to Spider Mums
  • Murder Ballad: Not Seeing Red or how to keep myself creeped out
  • Murder Ballad: Succumbing to the Sundew
This entry was posted in Murder Ballads, projects, works on paper and tagged colorpencil, drawing, ink, worksonpaper on June 11, 2022 by Lisa.

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